Author: Andrew Mason

My name is Aleksandra A.Łupkowska, and I am a photographer specializing in artistic black-and-white photography. My work is a subtle interplay of light and shadow, drawing out emotions and revealing beauty within the smallest of details. I focus primarily on female portraits and covered nudes, where delicacy and mystery weave together in harmonious balance.

For me, photography is not merely a form of artistic expression but a space for storytelling—intimate stories in which light plays the leading role. My aim is to capture authenticity, elegance, and sensuality in a way that is understated and deeply respectful.

My journey as a photographer began with a passion for capturing authentic, unscripted moments, which led me to study various forms of photography, from portraiture to lifestyle. Over the years, I developed a unique style emphasizing raw, emotional depth and the beauty of imperfections, focusing on the aesthetics of vulnerability and unvarnished reality. With experiences in both local and international settings, I have built a portfolio that combines eclectic styles and thoughtful composition, aiming to tell stories that resonate universally.

I fell in love with photography and have been doing it since I was a teenager, starting with film and developing prints in my parents’ basement. I still remember the emotion I felt every time the image appeared on the blank paper, in the darkness illuminated by the red light…

I have travelled extensively throughout my life and continue to do so, and it has been my main source of inspiration for many years, primarily filled with distant landscapes and portraits of strangers met along the way. For a very long time, I had no desire to show my work or expose myself to the gaze of others, but I took a leap of faith in 2014 and revealed my work.

I started my journey into landscape and travel photography over thirty years ago, with 35mm film SLRs loaded with slide film.

Then I started using digital cameras in the mid 2000s… and now I’ve mostly gone back to shooting film again, but in medium format.

But most importantly, regardless of the medium used, I still always enjoy working ‘the old fashioned way’, slowly and painstakingly perfecting the framing, and then patiently waiting for that fleeting moment when the light is perfect in all its glory.

Gail is a street and documentary photographer focused on capturing spontaneous moments. Her work highlights candid interactions, unique characters, and the humour found in everyday life. She also has a keen interest in travel and architecture.

The theme for this project is ‘Transition’, which is vividly illustrated at the Epsom Derby. Author and broadcaster Sir Alastair Burnet remarked, “No fantasy is more unlikely, or more probable, than the Derby, a race which is perpetual, unmatched, immortal.”

I have had a camera in my hands, since I was fifteen years old, and never left home without one, even down to the local corner shop for a litre of milk.
I always want to satisfy my hungrier in achieving the next pinnacle in photography.
My current on going projects are; 1. Red Umbrella And Trilby, where ever I travel, I always have a red umbrella and trilby in my suitcase. I have a model or a friend, who would either hold the umbrella or wear the trilby, or both, to capture a monochrome photo, then only having one or the most two elements in red.
2. Juxtaposition, where I capture an image of a ballerina, and then add it to a background, or having the ballerina element applied to a situation, such as in the hand of a curious chef.

I typically focus on black and white imagery, using both film and digital.
However, for this project, on the theme of ‘Transition’, I’ve explored the interplay of colour and reflections. My goal was to convey the subtle shifts between spaces, creating abstract and ambiguous compositions that engage the viewer. These images were created entirely through the lens, without digital manipulation, emphasising the art of seeing rather than editing

Instagram: @tonmphoto

I am a landscape photographer currently focusing on seascapes and the movement of water.  I originally studied art at the Columbus College of Art and Design but a career as a professional firefighter and paramedic won out.  This career afforded me an abundance of time for exploring the outdoors.  For me, fly fishing and exploring trout and steelhead rivers throughout the midwest and western United States went hand in hand with having a camera to record the scenery and the fish.  Spending time in these rivers surrounded by spectacular scenery created a deep fondness and fascination for landscapes and moving water.  When my career ended six years ago I began to focus on photography as a means of expressing my thoughts and experiences.  I currently live and explore the coast in Florida.

As an amateur architecture photographer with an eye for the urban landscape, I am passionate about documenting the ever-evolving cityscapes. With my pictures, I strive to capture the transformative power of architecture in reshaping our cities and the stories that they tell. I get enjoyment from capturing the everyday in different ways, and the frequently photographed in abstract forms.

My journey into photography, which started with travel and wildlife, has more recently grown into a fascination with the built environment. I often explore the streets of London, marvelling at the blend of historical and contemporary structures that shape the city’s identity. I find beauty in the intricate details of skyscrapers, the symmetry of bridges and staircases, and the interplay of light and shadows within the cityscape. For me, the city is a living canvas, continually evolving with the passage of time. I enjoy the ingenious modern designs that breathe new life into neglected neighbourhoods. Every photograph I take is an interpretation of the city’s resilience and its ability to adapt and grow.

I am a photographer who captures close-up shots of coastal landscapes, exploring the intricate details of rocks, sand, and water. My work seeks to create a space where natural details spark thoughts and emotions.

I focus on the often-overlooked details, revealing the contrasts between the rough, solid surfaces of rocks and the smooth, ever-changing patterns of sand and water. Through these contrasts, I strive to present a natural environment that fosters a human connection.

Each piece reflects my own experiences, yet they are universal human experiences that we all share. By capturing moments such as menace, chaos, and renewal, I explore a spectrum of emotions, both negative and positive. Often, in the midst of each negative experience, there is a silver lining or a path that leads you to something more positive.