Marco Raugei

I started my journey into landscape and travel photography over thirty years ago, with 35mm film SLRs loaded with slide film.

Then I started using digital cameras in the mid 2000s… and now I’ve mostly gone back to shooting film again, but in medium format.

But most importantly, regardless of the medium used, I still always enjoy working ‘the old fashioned way’, slowly and painstakingly perfecting the framing, and then patiently waiting for that fleeting moment when the light is perfect in all its glory.

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Gail MacIndoe

Gail is a street and documentary photographer focused on capturing spontaneous moments. Her work highlights candid interactions, unique characters, and the humour found in everyday life. She also has a keen interest in travel and architecture.

The theme for this project is ‘Transition’, which is vividly illustrated at the Epsom Derby. Author and broadcaster Sir Alastair Burnet remarked, “No fantasy is more unlikely, or more probable, than the Derby, a race which is perpetual, unmatched, immortal.”

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Laurence Pang

I have had a camera in my hands, since I was fifteen years old, and never left home without one, even down to the local corner shop for a litre of milk.
I always want to satisfy my hungrier in achieving the next pinnacle in photography.
My current on going projects are; 1. Red Umbrella And Trilby, where ever I travel, I always have a red umbrella and trilby in my suitcase. I have a model or a friend, who would either hold the umbrella or wear the trilby, or both, to capture a monochrome photo, then only having one or the most two elements in red.
2. Juxtaposition, where I capture an image of a ballerina, and then add it to a background, or having the ballerina element applied to a situation, such as in the hand of a curious chef.

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Tony Martin

I typically focus on black and white imagery, using both film and digital.
However, for this project, on the theme of ‘Transition’, I’ve explored the interplay of colour and reflections. My goal was to convey the subtle shifts between spaces, creating abstract and ambiguous compositions that engage the viewer. These images were created entirely through the lens, without digital manipulation, emphasising the art of seeing rather than editing

Instagram: @tonmphoto

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Steven Dow

I am a landscape photographer currently focusing on seascapes and the movement of water.  I originally studied art at the Columbus College of Art and Design but a career as a professional firefighter and paramedic won out.  This career afforded me an abundance of time for exploring the outdoors.  For me, fly fishing and exploring trout and steelhead rivers throughout the midwest and western United States went hand in hand with having a camera to record the scenery and the fish.  Spending time in these rivers surrounded by spectacular scenery created a deep fondness and fascination for landscapes and moving water.  When my career ended six years ago I began to focus on photography as a means of expressing my thoughts and experiences.  I currently live and explore the coast in Florida.

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Samantha Chippington

As an amateur architecture photographer with an eye for the urban landscape, I am passionate about documenting the ever-evolving cityscapes. With my pictures, I strive to capture the transformative power of architecture in reshaping our cities and the stories that they tell. I get enjoyment from capturing the everyday in different ways, and the frequently photographed in abstract forms.

My journey into photography, which started with travel and wildlife, has more recently grown into a fascination with the built environment. I often explore the streets of London, marvelling at the blend of historical and contemporary structures that shape the city’s identity. I find beauty in the intricate details of skyscrapers, the symmetry of bridges and staircases, and the interplay of light and shadows within the cityscape. For me, the city is a living canvas, continually evolving with the passage of time. I enjoy the ingenious modern designs that breathe new life into neglected neighbourhoods. Every photograph I take is an interpretation of the city’s resilience and its ability to adapt and grow.

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Philip Woodgate

I am a photographer who captures close-up shots of coastal landscapes, exploring the intricate details of rocks, sand, and water. My work seeks to create a space where natural details spark thoughts and emotions.

I focus on the often-overlooked details, revealing the contrasts between the rough, solid surfaces of rocks and the smooth, ever-changing patterns of sand and water. Through these contrasts, I strive to present a natural environment that fosters a human connection.

Each piece reflects my own experiences, yet they are universal human experiences that we all share. By capturing moments such as menace, chaos, and renewal, I explore a spectrum of emotions, both negative and positive. Often, in the midst of each negative experience, there is a silver lining or a path that leads you to something more positive.

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Robert Edwards

Robert is a London-based street photographer who walks the streets with his dogs daily. In this collection, he presents a series of black-and-white street photographs that capture the essence of London as he experiences it—raw, timeless, and full of life. Each image is a candid moment taken while wandering the streets of the capital, revealing the intricate details of everyday life that often go unnoticed.

Through the lens of monochrome, I strip away the distractions of colour to focus on the textures, contrasts, and fleeting interactions that define the city’s character. In its perpetual motion, London offers a rich tapestry of stories—stories of quiet corners, bustling markets, fleeting glances, and moments of solitude amidst the urban rush.

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Lisa Large

Dark Horse

Whilst I love all genres, one of my passions is horse photography. Throughout a turbulent childhood I took solace in three things: books, horses and sketching. The latter two combining into a love of drawing horses and, in particular, trying to capture the way they moved and the beauty of their physical form. Whatever was the subject of school Art classes; buildings, portraits or landscapes, I would introduce a horse galloping through the fields or arching their necks to eat much to the puzzlement of my teacher. However, growing up in a Comprehensive School in the Midlands during the 1970s and 80s, a career in Art, especially one so specialised, was not seen as a serious option so I put away my sketch pad and put on a lab coat for a career in technology.

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Jovis Leigh Howieson

Jovis has a passion for street, documentary, and travel photography. She meticulously plans her outings and trips to align with her photography projects, constantly seeking out extraordinary people and places to capture and narrate their stories. This exhibition highlights her photographic journey, spanning from her first photo taken five years ago to her most recent work.

www.jovisleigh.com

Instagram: jovisleigh

Facebook: https://www.facebook.com/jovis.howieson.7

Twitter: jovishowieson

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